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![Antiphonarium_ad_usum_Sancti_Mauri_[...]maître_de_btv1b6000531z_24 Lapidem quem reprobaverunt.jpg](https://images.squarespace-cdn.com/content/v1/6080596f62a0455c6b40e46b/1713794575878-9UBTB842PV9TEZLK955N/Antiphonarium_ad_usum_Sancti_Mauri_%5B...%5Dma%C3%AEtre_de_btv1b6000531z_24+Lapidem+quem+reprobaverunt.jpg)

![Antiphonarium_ad_usum_Sancti_Mauri_[...]maître_de_btv1b6000531z_24 Lapidem quem reprobaverunt.jpg](https://images.squarespace-cdn.com/content/v1/6080596f62a0455c6b40e46b/1713794575878-9UBTB842PV9TEZLK955N/Antiphonarium_ad_usum_Sancti_Mauri_%5B...%5Dma%C3%AEtre_de_btv1b6000531z_24+Lapidem+quem+reprobaverunt.jpg)
Psalm 118 • The stone rejected by the builders has become the cornerstone. (Lapidem quem reprobaverunt)
James J. Richardson’s setting of Psalm 118, “The stone rejected by the builders has become the cornerstone.” as based on the 12th c. manuscript of Lapidem quem reprobaverunt which treats the same text.
A full playlist of practice tracks is available here.
James J. Richardson’s setting of Psalm 118, “The stone rejected by the builders has become the cornerstone.” as based on the 12th c. manuscript of Lapidem quem reprobaverunt which treats the same text.
A full playlist of practice tracks is available here.
James J. Richardson’s setting of Psalm 118, “The stone rejected by the builders has become the cornerstone.” as based on the 12th c. manuscript of Lapidem quem reprobaverunt which treats the same text.
A full playlist of practice tracks is available here.